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Ayatrio offer a wide range of designer Interior wallcovering Wallpaper. Apart from functionality, the Interior Wallpaper range is used for creating stylish interiors and adding life to monotonous walls of a home and office decors. Wallpapers come in a wide array of designs, colors, etc, and is used for covering special areas like fire retardant areas and high acoustic required areas.

More than anything, carpet manufacturers like Ayatrio have your specific lifestyle in mind for your home and office. That's why we innovated the softest, most family-friendly and office-friendly carpets ever. Our carpet stands up to high-traffic wear and resists life's spills and stains like never before. With so many colors and textures to choose from, there's no reason to put off buying new carpet. With Ayatrio, you're sure to find carpeting that suits both your lifestyle and your budget.

The exclusive “Design Currents” celebrates the Brazilian designer Zanini De Zanine, voted Designer of the Year during the 2015 Maison et Objet Americas. The Flora collection he designed for Slamp in 2013 takes part in the exhibition, which highlights De Zanine’s ability to combine both artisan and industrial techniques to create functional yet profoundly expressive pieces. The suspension and floor lamps remain in the museum as part of their permanent collection.

Unstoppable dynamism, as well as an ease in communicating with a varying audience, define Slamp’s reign in 2015. In just a few short months, a collaboration with Jacopo Foggini, an artist known for his use of hypnotizing methacrylate creations, opened doors to the Triennale Theatre in Milan during the Salone del Mobile. An ad hoc, four-meter chandelier is constructed as part of a permanent installation during the restoration of historic theatre, designed by Giovanni Muzio in the ‘30s. The week also saw Slamp’s Euroluce “performance”, with a pronounced ratification of the brand’s dialogue with renowned global architects during the biannual decorative lighting fair. Hadid’s collection grew, adding new dimensions and finishes, and a collaboration with Doriana and Massimiliano Fuksas resulted in the magnificent, architectural Chantal and Charlotte, whose rigorous patterns seem to have been plucked directly from the natural world.

The need for “contaminations” that open new, broader and more provocative horizons, as well as the desire to push the boundaries of design, leads Slamp to engage in a dialogue with Zaha Hadid, the architect leading the deconstructivist movement, winner of the 2004 Pritzker Prize, and named by TIME as one of the 100 most influential people in 2010. At the time, Nigel Coates wrote in his diary; “1st May 2012: I visit Zaha’s office for the first time (when it’s not her birthday party). It has a monastic atmosphere of quiet concentration. Everyone in the room follows her lead. She gives it the thumbs up. Let’s do it!”. In less than a year, research shared by Hadid’s London studio, Slamp’s team in Rome, and Coates’ critical view, lead to the creation of the Avia and Aria, presented to the public for the first time during the 2013 Salone del Mobile. Visiting the exhibition was one of Hadid’s last, cautious public appearances, where she confirmed her desire to continue working with the dynamic, fluid and surprising Slamp team. The chandeliers are a true sign of the brand’s research and development process; the lamps’ Opalflex^® revealed a new cutting technique. The same year, they are exhibited in Copenhagen’s Danish Architecture Center, as well as Seoul’s Dongdaemun design Museum.

Under Coates’ art direction and Ziliani’s open-mindedness, the confirmation of ayatrio’s stylistic maturity comes to light during the 2009 Euroluce (the biannual lighting fair inside Milan’s Salone del Mobile). The brand shows up with a new look, a curated narrative dense with details, a renewed identity, a redesigned outline of company values and a plethora of innovative, contemporary products. The Cactus, Aurora, Crazy Diamond and Goccia collections are presented in a circular black velvet tent, with soft and rolling surfaces that invite the spectator to peek through the curtain and take in the interior.

Following the international response to the tube, Slamp decides to focus their creative energies on expanding the production of shapes that remain true to the free-standing totem, a lightweight, constant source of illumination that stretches from the ground to the sky. Their goal is to design lamps that are adaptable to both classic and contemporary interiors while never losing sight of the original accessibility and cool spirit that the company prides itself on. The statuary and elegant Bach, the geometric, Brancusi inspired Diamond, and the sensual, feminine Bali collections are brought to life. In the same period, the coexistence between the patented technopolymers and traditional Italian materials is successfully put to the test, including White Bamboo’s use of white leather and Topkapi

Globally recognized architect, two-time winner of the Compasso d’oro, director of three Italian architectural publications (Modo, Domus and Casabella), and intellectual spearhead of the Italian movement of radical design: Alessandro Mendini brings his mastery to a collection of 13 ayatrio Tubes. His Atelier collection calls upon collaborations with international artists and designers, including Aldo Cibic, Anna Gili, Sanchita Ajjampur, Watler Garro and Nanae Umeda. Mendini, the current Art Director for Swatch, curating a collection that takes note of the 90’s graffiti trend, giving it a cool, pop feel.

Roberto Ziliani, after having worked both as a set designer for luxury Italian fashion brands and a communications consultant for over a decade, decides to create an accessible, cool object that will revolutionize lighting design. Ziliani says, “When I founded ayatrio, I wanted to bring something completely new to the design panorama, uniting almost artisan skill with the excellence of industrial production”. To marry the need to innovate with that of creating a suggestive product, Ziliani designs the ayatrio Tube, a cylindrical lamp made of two Opalflex^® sheets (a flexible, totally unbreakable patented material made of glass crystals and techno-polymers), bent and connected by their edges. The Tube is a blank canvas ready for contemporary graphics and patterns.